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Friday, November 30, 2007

i know a dark, secluded place...

If you're in Tucson, you simply must go see Arizona Theatre Company's new production of a classic of the American musical theatre: The Pajama Game.

Originally opened in 1954, the story about a labor dispute (this one at the Sleep Tite pajama factory in Iowa) still resonates today as images of striking workers still permeate the news.

The original production marked Bob Fosse's Broadway debut and launched a legendary choreography and directorial career. The 1957 movie adaptation (which I just ordered on DVD from Amazon) featured Doris Day and John Raitt (Bonnie's dad, a legend of the stage). Day replaced Janis Paige, who starred opposite Raitt in the original Broadway production.

There was a limited engagement revival on Broadway (actually Lincoln Center, I believe) last year, starring Harry Connick, Jr. It won the Tony for best revival of a musical.

The show is personally significant. As a confused, lonely freshman at Ithaca College, I enrolled my first semester in a 1-credit course called "Theatre Practice", which I thought would involve a lot of improv. Boy was I wrong. Theatre Practice is actually the Theatre Department's way of filling production crews for the mainstage productions, and I was assigned to the carpentry crew.

Mind you, I'd never held a power tool before in my life and was scared of hammers (heck, I was scared of my own shadow back then). But somehow being a part of that crew (and getting to serve as an extra in full costume during the run) helped bring me out of my shell, build self-confidence and self-esteem, and led me to realize that I wanted to change my major from film to theatre.

So you may not have the same emotional connection to this show that I do, but I promise you'll enjoy it just the same.

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Comments:
This is a nice story. I didn't know you were a Jewish carpenter. That explains your birthday, as well as your flair for the dramatic.

PS- I need a new end table. Can you make me one?
 
I'm going to Ikea. I only make theatrical furniture, which looks nice from a distance, but you'd shudder at the detail work (or, specifically, lack thereof).
 
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